G A M M M

 
Un nuovo opeb di GAMMM, e : purgiocatorio, di Rachel Defay-Liautard. Qui è scaricabile il file. Si tratta stavolta di un .doc [di 1.2 Mbytes].
 
Il formato del file è importante per accedere alla sua identità … interattiva.
 

 
Derrida Is Dead 2.009
Gestation—Monstrosity—Blessed Event, a bulbous token of Saxon
craftsmanship that was a peripheral girlhood fame: precocious capacity
to recite all the Goebel catalog names. Minor cut from there into antiquarian
exile, the kind that makes you beat with the locals about the acanthus until your evening
spaghettum is theirs. Later I sat at the edge of another […]

 
from 1001 OPERA LIBRETTI / Richard Kostelanetz
For John F. Cone. One of my great teachers
Fifty years later
A young couple, universally attractive and recently married, attempt to defy a new state law forbidding procreation, their arias proclaming erotic success, in spite of the relentless maneuverings of their anxious parents and mean police.
A fading pop singer falls […]

(Birgir Andrèsson, Portrait #15, 1999, silkscreen and oil on mdt, framed with plexiglass, 84 x 64 cm, Nils Staerk Contemporary Art, Copenaghen.)

(Birgir Andrésson, Portrait #14, 1999, silkscreen and oil on mdt, framed with plexiglass, 84 x 64 cm, Nils Staerk Contemporary Art, Copenaghen.)

 
Esce oggi un ebook di Christophe Marchand-Kiss: si tratta di una scelta di testi da alter ego (textuel, 2005), tradotti da Michele Zaffarano. Il file pdf [104 Kb] è scaricabile dalla pagina gammm/ebook.
Christophe Marchand-Kiss è nato nel 1964. Vive a Parigi e per il momento a Roma, all’Accademia di Francia, Villa Medici. È redattore […]

Photo(C)2006 by Filippo Minelli

 
Tops - Tilting / Gregory Vincent St. Thomasino
Tops
1.
a plum or knob, to see
purposes, prior to, or, unlike a knob or fruit
a purchase, or gestalt
in time or in enumeration
the nature of a stick in sand, the nature
of a rib, stuck upright in a palette
before a spry, metaphysician
an accent, passing close, unstoppered
2.
a poem, in simple measure
can say […]

 
Q.: I think that your nickname “asemic” (in http://selfsimilarwriting.blogspot.com) is perfect to explain your strategy of accumulation=disintegration of signs (not “meanings”) through multiple exposures, textblocks, and multiple blogs/opus. I believe you hit the spot of the dissipation/multiplicity we are crossing. (Where “to cross” is something like a radioactive kind of “to stay”).
A.: You’re right with […]