G A M M M

Zachary Schomburg
da: THE MAN SUIT. 2007

THE WHALE

1.
When I was young, my mother
was eaten by a whale.

2.
I buried myself in the sand,
in my whale pajamas
and my whale-shaped slippers.
I was uncovered a million times
by people who would say things
like you’re too old for those clothes
and I’ve saved you.
I would say things like
they’re all I have
and from […]

Marcel Duchamp
LE PROCESSUS CRÉATIF. 1957
Considérons d’abord deux facteurs importants, les deux pôles de toute création d’ordre artistique : d’un côté l’artiste, de l’autre le spectateur qui, avec le temps, devient la postérité.
Selon toutes apparences, l’artiste agit à la façon d’un être médiumnique qui, du labyrinthe par-delà le temps et l’espace, cherche son chemin vers une […]

La letteratura mette in opera una teoria della frase. […] Nuove frasi operano soltanto su ciò che dicono e contengono in sé il proprio passato. […] Le frasi della letteratura non sono descrittive, sono instauratrici.
La letteratura inventa il passato delle frasi.
L’oggetto letterario è la frase. [… ] Poiché la letteratura inventa le sue frasi, ha […]

 
[http://www.youtube.com/watch?v=U2NpfZ4XCd0]
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(C) 2008 _ Drew Kunz
 

 
Oggi un nuovo ebook su gammm.org: si tratta di The Raven (for Edgar Allan Poe), di Cecil Touchon, l’opera è inclusa nel suo libro In an Agitated Voice (Ontological Museum, 2009).
Il file pdf [152 Kb] è scaricabile dalla pagina gammm/ebooks.
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Today, a new ebook at gammm.org: The Raven (for Edgar Allan Poe) by Cecil Touchon: the […]

Zachary Schomburg
da: THE MAN SUIT. 2007

WHAT I FOUND IN THE FOREST

1.

I found a group of
inappropriately dressed
women inside
a hollowed-out tree.
They all had hidden agendas.
When I asked Marlene
her name, she told me Madeline.
When I asked why
they were in a hollowed-out tree,
all of them became
suspiciously uneasy –
particularly Marlene
who told me to stop
talking as she handed me
some beautiful flowers.

2.

I […]