Archive for May, 2009



Lawrence Wiener RESPONSE TO THREE STATEMENTS BY DAVID LAMELAS. 1970 IF 1. The artist may construct the piece 2. The piece may be fabricated 3. The piece need not to be built Each being equal and consistent with the intent of the artist the decision as to condition rests with the receiver upon the occasion […]

Claude Royet-Journoud extrait de THÉORIE DES PRÉPOSITIONS. 2007       du voisinage et de la forme                     1.            j’étais entré dans l’image mutilé                   2.            on écarte ce que la main recouvre   3.            servitude de passage                   4.            voisement                   5.            comme s’il sortait […]

1. Had! The manifestation of Nuit. 2. The unveiling of the company of heaven. 3. Every man and every woman is a star. 4. Every number is infinite; there is no difference. 5. Help me, o warrior lord of Thebes, in my unveiling before the Children of men! 6. Be thou Hadit, my secret centre, […]

Welcome to my blog Calendrier 2000 Do you want love or lust? Community Best Beautiful Rating Everything — (Image: Claude Closky, Untitled (NASDAQ), 2004, wallpaper, silkscreen print.)

18 polaroids from tinyvices.com / dash snow

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 All pics from www.tinyvices.com.

WORD SONG / Syd Barrett. 1969

Syd Barrett WORD SONG. 1969 stained glaucous glycerine gold goat clover gold local stocks type food wild national lake flag valve gyroscope sect heat helium lead bare state invention medieval refraction faction ultra-action hunter interest bullet market loads liquids neon heater jaws jungle mains signal knives kitchen ingot lovely mirror mold mycenaean moat poppy rubber […]

En historia som passerar Alla mina systrar min moder och mina mödrars mödrar har korta kjolar på sig och en mycket liten behå av spets. I Frankrike är allting lukt och språk. Vi uttrycker oss inte nämnvärt med ord som innehåller något k. Svenska och tyska människor uttalar ideligen ord med k. De är trista […]

art as idea as idea / joseph kosuth. 1966

   






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