Archive for the 'in english' Category

  according to a classic aesthetic model, the artist forms an already existent matter, turns nature into art, gives matter form. the paradigmatic example in this context would be sculpture, but poetry too is ultimately understood in similar terms. for what, as it were, distinguishes a poem from a non-poem, poetry from that which is […]

} erlebnis / peter ganick. 2011

  Peter Ganick_ } ERLEBNIS_ 2011 by differxhost on Scribd

press to(o) close / renata morresi. 2015

Renata Morresi_ press to(o) close by gammm

lost job / david shrigley

*   Gironzolavo in casa della mia direttrice e le ho infilato in un occhio la pennetta di plastica del mio palmare. Lei mi è saltata addosso ma ha preso soltanto il lettore cd, con la forchetta che in quel momento le capitava di avere in mano. Il lettore cd era ancora acceso, dopo. Con le […]

.it .en source:

.en .it source:

1. the chasing after epitomes. for which I have, to hand, the praise. a, sign, out of hand. the, hopping, and, pointing of fingers. walking home from the movies after dark picturing Faraday with thumb, forefinger and middle finger held at mutual right angles. I love the way this couplet looks. mirror play. his straight […]

.it .en source:

.it .en source:

small homes / harold abramowitz. 2013

Harold Abramowitz_ Small Homes (gammmhost 2013) by gammm   [ Download a 11 pt. PDF version of SMALL HOMES here ]

an elbow… / greg evason. 2013

Greg Evason_ An Elbow_ (2013) by gammm [ full screen HERE ]

the jack poem / bob cobbing. 1981-85

in Sockless in sandals. Collected poems, vol. 6      (Second Aeon Publications, 1985)     

in Sockless in sandals. Collected poems, vol. 6      (Second Aeon Publications, 1985)     

to go mad / greg evason. 2013

if you have never gone mad you have not fully lived i.e. if you have not once bent over to tie a lace and upon returning to an upright position found yourself in a wholly different world than the one you were just in then you are missing out on one of the more interesting […]

da: quattro conferenze / stephen rodefer. 1982

Ciò che udiamo dalle labbra delle persone con cui parliamo nel corso dei nostri affari quotidiani si fonde con ciò che vediamo per strada e dovunque altrove, e si fonde poi con la nostra immaginazione. Da questa chimica viene prodotta una lingua… che slitta e svela il proprio senso come le nuvole che si spostano […]



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