Concreta 1 (PDF)
Tutti i materiali di CONCRETA 1 – Festapoesia (Roma, Accademia d’Ungheria-Palazzo Falconieri, 21 aprile-5 maggio 2018), da un’idea di Giuseppe Garrera, István Puskás, Sebastiano Triulzi.
Volume a cura di Sebastiano Triulzi, 2 gennaio 2019, pp. 368, formato PDF, open access, ISBN 978-88-31913-072
Oppure accesso da:
poeti asemici, visivi e sonori si incontrano per discutere di alcune teorie e pratiche della poesia contemporanea e dei loro effetti sulle popolazioni – parte I
Fabio Lapiana | Fondazione Atonal,
collage e bianchetto, 2019
Documentary portrait of Gustav Metzger made at Regent Street Polytechnic 1965. Directed by H. Liversidge.
thx to Luca Zanini
Tate Shots on “Auto-destructive art” by G.Metzger:
Gustav Metzger, born in 1926, developed the concept of Auto-Destructive Art where destruction was part of the process of creating the work. In this TateShots the artist reflects on his long and influential career.
Themes of political activism and engagement are heavily rooted in his work. He arrived in Britain as a refugee after losing several members of his family in the Holocaust and was associated with protests against American rocket bases in the UK as well as campaigns for nuclear disarmament. He also went to prison for encouraging mass non-violent civil disobedience.
This new arrangement of his work currently on display at Tate Britain reveals how auto-destructive art emerged out of painting and sculpture as much as it communicated Metzger’s activism.
Find out more about Gustav Metzger: https://goo.gl/tK2sjG