text on the fluxus / ben vautier. 1997

Today there is great interest but also great confusion as to the Fluxus movement;

There are those who keep theorizing about Fluxus.
They say that after Dadaism and Duchamp, Fluxus is “the most radical movement”;

those who make a fetish of Fluxus. They collect the trouser buttons by Maciunas, the handkerchief by Beuys or the dirty bath water by Ben;

those who speculate with the Fluxus. “If van Gogh’s ear is worth 100.000 million dollar and the bottle rack by Duchamp is worth 300.000 dollar, how much will the water glass by George Brecht then be worth on the fair in Basel in two year’s time?”

those who say that the Fluxus movement does only consist of spoiled children who make art by stating that they are against art, who expect to win fame by saying “we are against fame”, who want to get back into the Louvre by staying in the bistro vis-á-vis;

those who say, okay, Fluxus is something mad, but still it’s better than those who produce works of art for the consumer society;

those who say that Fluxus is rather a story of attitude towards life and art than towards products;

those who say Fluxus is individuals and not works of art;

those who say that Fluxus contradicts itself, that it consists of failures who happen to be succesful just now, anti-art stars;

As far as I am concerned, I think that
Fluxus is not a production of objects, of handicraft articles to be used as a decoration in the waiting rooms of dentists and professionals,
Fluxus is not professionalism
Fluxus is not the production of works of art,
Fluxus is not naked women,
Fluxus is not pop art,
Fluxus is not an intellectual avant-garde or light entertainment theatre,
Fluxus is not German expressionism,
Fluxus is not visual poetry for secretaries who are getting bored.

NO

Fluxus is the “event” according to George Brecht:
putting the flower vase on the piano.
Fluxus is the action of life/music: sending for a tango
expert in order to be able to dance on stage.
Fluxus is the creation of a relationship between life and art,
Fluxus is gag, pleasure and shock,
Fluxus is an attitude towards art, towards the non-art of anti-art, towards the negation of one’s ego,
Fluxus is the major part of the education as to John Cage, Dadaism and Zen,
Fluxus is light and has a sense of humor.

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This was published in the 1997 Fluxus Subjectiv catalogue
see http://id3419.securedata.net/artnotart/fluxus/bvautier-textonthefluxus.html

anti-sonnets / mark staniforth. 2019

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also @
gammmorg.files.wordpress.com/2021/11/mark-staniforth_-anti-sonnets_-2019.pdf

Click to access mark-staniforth_-anti-sonnets_-2019.pdf

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«Anti-Sonnets comprised the creation of one sonnet per day over a year, irrespective of personal circumstance.

Each sonnet’s subject matter, and perhaps also the perceived quality of its artistic execution, would reflect the tribulations of daily life. Anti-Sonnets aimed to challenge assumptions associated with the sonnet form, and to champion the ascendency of context over content. Writing in The Cambridge Companion to the Sonnet (23011), the poet Stephen Burt identified “a commitment to dailiness, to impressions without an overarching order, each in its separate frame, as in a notebook or calendar.. [a]s each sonnet records an occasion or a day, a set of sonnets can take its own larger shape.”

An exhibition of Anti-Sonnets is being staged in the Research Station, Leeds Beckett University School of Art, Architecture and Design, from now until Dec 2019».

(https://antisonnets.wordpress.com/2019/09/13/anti-sonnets/)